In addition to this multiplication of materials, the spatial aspect will have great importance, having as a consequence the distribution of the instruments on the stage, as well as the association of different instrumental combinations throughout the work. This fact will cause the ensemble to be a single living sound instrument, which is continually transforming itself.
The work of the timbre, as well as the use of the instrumental possibilities around it, will be the “leitmotif” of the work, which will produce an organic body in continuous movement.